The impact of Jessica Curry’s score on this project can’t be praised enough. Dear Esther is simply too disconnected from itself to ever connect with me. Along with that connection comes emotion. ![]() The linchpin of these games is to develop a connection with the player. Still, some people will find meaning and depth in what Dear Esther delivers. It’s the inferior way to present a story. Better examples like Gone Home are exploratory in nature and let the player discover their narratives through small but important details Dear Esther just force-feeds a trickle of dialogue and then shrugs if you don’t get it. This is a game from 2012, and it’s clear that the genre has grown past it. This soundtrack shapes the moodiness of the jaunt, and transforms all the locations into far grander places than they’d be without it.īut, it’s not enough to be Dear Esther‘s saving grace. This is the unequivocal high-point of Dear Esther. If you believe that any review contained on our site infringes upon your copyright, please email us.While Dear Esther never quite figures out how to affix its story to its setting, the atmosphere is helped tremendously by Jessica Curry’s score.
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